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Malibu Laguna
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General Motors' Chevrolet division launched the first Chevelle for sale in 1963, and they continued to manufacture it through the 1977 model year. In the muscle car era of the late 1960s, the Chevelle was an amazing success. It even provided the basis for the reintroduced El Camino, and it provided the platform upon which Chevelle would base the Monte Carlo for 1970.

Chevrolet conceived that first Chevelle to compete with the extremely popular Ford Fairlane. For this reason, the Ford Fairlane would originally provide the inspiration for the Chevelle's particular size as well as many of its visual cues. However, the Chevelle would quickly take on a life of its own, and Chevrolet would abandon the purpose of competing with the Fairlane in pursuit of even greater success.

During the 1960s and in the early 1970s, there was a great deal of variety for each model year of the Chevelle for sale available to consumers. This was the first time the American auto market had seen a model that tried to be all things to all people. There were convertibles, economy-oriented sedans, station wagons geared for the families, and of course, the muscled coupes. The Chevelle for sale was also available in the form of exclusive nameplates throughout the years, such as Nomad, Nomad Custom, Greenbrier, Concours Estate, and Concours.

Each car in the A-body series boasted a pony car offering called the Super Sport (SS). In some cases, it was a distinct model, but in other cases, such as the El Camino, the SS was simply a trim package, the centerpiece of which was a big block engine. The SS model offered with the first Chevelle for sale was the very first of these Super Sport models, and it marked Chevrolet's first serious entry into what had quickly become a highly competitive muscle car segment. Two years into the model, there is a distinct change to the vehicle, as GM was introducing the Coke-bottle body shape wherever it made sense to do so.

During this period, GM had a restriction in place for all of its divisions that prevented mid-size or smaller vehicles from including a 400 or greater cubic inch displacement. However, this was a period when every muscle car buyer wanted the biggest engine they could possibly get. It wasn't that much more expensive, and fuel and insurance were still relatively cheap. There was great demand for these large engines, so a dealer outside of Pittsburgh Pennsylvania used the special equipment fleet ordering system as a loophole to meet the demand. Many of these "special" 425-horsepower Chevelles took on their own name such as the Berger Chevelles, the Sunico Chevelles, and most famously, the Yenko Chevelles.

In 1973, the Chevelle for sale brought with it the largest redesign in the relatively short history of this model. One of the other major changes of that second generation came in 1977 when Chevrolet replaced the SS as the high-performance Chevelle for sale with the Laguna S3 coupe. This happened for a number of reasons, but perhaps the primary one was that the image of the SS designation had lost much of its luster along with increasingly shrinking engines of the 1970s. Soon after this decision, the Chevelle just wasn't selling well any longer, and Chevrolet merged it, along with all other similar mid-size models, into the Malibu.

Dan Legal is a member of the web team that runs the website LemonFree.com Autos. LemonFree is a car search engine which currently has over 2 million new and used cars for sale. If your trying to locate a Chevelle For Sale; trust LemonFree to help you find your next car today!

What New Artists and Musicians Can Do to Keep From Being Taken Advantage of - See a California Music & Entertainment Lawyer

There is probably no other profession than the music business where so many people will try to take advantage of you when you are starting out as an artist or musician if you don't have a lawyer. Whether you or your band hails from Carlsbad, Encinitas, Del Mar, Solana Beach in San Diego, Anaheim or Santa Ana in Orange County, or Palm Springs, whether you developed your talent in La Jolla, or at Huntington Beach, Laguna Beach or Santa Barbara, and whether you live, studied or performed in Hollywood, Westwood, Santa Monica, Venice, Malibu, Palm Desert or La Quinta, when you are just starting out, the entertainment industry sees you as someone whom they can take advantage of.

 

Music contracts are notoriously long, complicated and almost undecipherable to all but a music lawyer. Thirty page contracts are nothing unusual in this business. And there are so many contracts you will be faced with as a musician. Sign the wrong contract and you can be married to a bad agent, promoter, manager, distribution deal, publishing deal or record company and have your career over before it ever began.

 

Besides the issues you will face with copyrighting your music and trademarking your band name and logo, if you have one, there are management contracts, recording contracts, publishing contracts, agent contracts, distribution deals, licensing contracts, promotion deals, festival and concert contracts, producer agreements and that doesn't even get into the complex issues contained in many of these agreements.

 

A music lawyer must have knowledge of synchronization rights, digital rights, peer to peer file swapping, sampling, mechanical licenses, copyright infringement, publishing, advertising law, immigration, employment law, negotiation, ring tones, and have a good understanding of how music is made from mixing to mastering, from the roles of the producer to the needs of the musicians.

 

And yet, for the music lawyer, there is little that is as rewarding as being part of the recording process or helping a band make it to the big time.

 

My advice to musicians just starting out and being presented with any type of contract is that having their contract reviewed by a music lawyer is essential. You are likely being presented with the most one-sided type of contract in any business or profession. They are written by the attorneys for the company or manager who is handing it to you with absolutely no attempt to be even handed.

 

Worst of all, at this stage in your career, you have little leverage. No matter how good you think your music is, the music world is littered with great musicians who signed horrible contracts that stifled if not ended their careers. If you have to do an extra gig and save the money to have a contract reviewed, that's what you need to do. Get yourselves a good music lawyer. Not a divorce lawyer. Not a trial lawyer. An entertainment lawyer who knows the music business and one, preferably, who is interested in music and who is willing to listen to your music.  

 

If you have an entertainment law, copyright or trademark issue in San Diego, Newport Beach, Irvine, Orange County, La Jolla, in the Inland Empire, Los Angeles, Palm Springs or anywhere in Southern California, we have the knowledge and resources to be your Huntington Beach Entertainment Lawyer and your Anaheim Entertainment Attorney. Be sure to hire a California law firm with entertainment law experience who can serve areas such as Los Angeles, Palm Springs, Palm Desert, Anaheim, Irvine, Beverly Hills, Malibu, Newport Beach, Carlsbad, Corona del Mar, Laguna Beach, Huntington Beach, Santa Ana, Rancho Cucamonga, Ontario, Fullerton, Del Mar, San Diego, Orange County, San Luis Obispo, Buena Park, La Jolla, Oxnard, Ventura, La Quinta, and Santa Barbara so you are properly represented and get the compensation you deserve.

 

If you have an entertainment law, or copyright dispute of any kind, call the Law Offices of R. Sebastian Gibson, or visit our website at http://www.sebastiangibsonlaw.com  and learn how we can assist you.

About the Author

The Sebastian Gibson Law Firm serves all of San Diego, Orange County, Palm Springs and Palm Desert, the Coastal Cities from La Jolla, Carlsbad and Del Mar to Laguna Beach, Newport Beach, Irvine, Santa Ana and up to Ventura, Oxnard, Santa Barbara and San Luis Obispo. We also serve the Inland Empire cities of Ontario, Rancho Cucamonga, Temecula, Riverside and San Bernardino and all the cities in the Coachella Valley and high desert, from La Quinta, Indio, and Coachella to Yucca Valley and Victorville.

Visit our website at http://www.sebastiangibsonlaw.com if you have an entertainment law, music or copyright dispute of any kind. We have the knowledge and resources to represent you as your Huntington Beach Entertainment Lawyer and Anaheim Entertainment Attorney or your attorney in and around the cities of Palm Springs, Palm Desert, San Diego, Orange County, Corona del Mar, Newport Beach, Santa Ana, Laguna Beach, Anaheim, Riverside, Chula Vista, Irvine, San Bernardino, Huntington Beach, Fontana, Moreno Valley, Oceanside, La Jolla, Del Mar, San Marcos, Rancho Cucamonga, Ontario, Garden Grove, Palmdale, Long Beach, Corona, Yorba Linda, Escondido, Orange, Fullerton, Costa Mesa, Victorville, Carlsbad, Temecula, Murrieta, Mission Viejo, El Cajon, Vista, Westminster, Santa Monica, Malibu, Westwood, Hesperia, Buena Park, Indio, Coachella, Del Mar, Oxnard, Ventura, San Luis Obispo, Cambria and Santa Barbara.

for those that have knowledge of restaurants in malibu, ca area..?

i need to find a restaurant in malibu, ca...

--high end (premiere food and wine)
--dress attire is very fancy (slacks, tie, dresses, heels, etc)
--elegant
--live music played (sinatra, buble type stuff) - made for cheek-to-cheek dancing
--beach view

can anyone help?

if not malibu, im also open to newport, laguna beach

try

http://www.moonshadowsmalibu.com/new/

TGIF: Weekend events in Southern California
Thank Garth It's Friday! Take a look at some of the events happening around Southern California this weekend.

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